She was born in Hollywood, Florida where in her youth she saw undeveloped tracts of pine forests, palmetto plants, and tangled undergrowth interspersed with tomato farms and low lying marshland. The vivid colors of the fauna of this coastal city may serve as reference for the palette she employs today in her California views. Although primarily trained as a landscape artist, she finds herself producing still life, architectural landscape and portrait paintings.
Her studies took her from Florida to Lake Forest College in Illinois, and on to Florida Atlantic University in Boca Raton and finally to Santa Barbara City College in California. Her primary artistic training took place over a four year period of study with celebrated California landscape painter, Michael Drury. Perko, ever one to express herself succinctly, recollects that her serious studies as an artist began only ten years ago.
The artist, her husband and her two daughters live in Santa Barbara, California. When asked about the artists whom she found most influential in her artistic development Perko sites the work of Emily Carr, Thomas Hart Benton, Diego Rivera, Robert Delauney and Georgia O'Keeffe.
3:34 | Narrated by Susan Bush | Released for ANGELA PERKO: Relics of Another Eden, 2017
2:55 | Narrated by Jeremy Tessmer | Released for ANGELA PERKO: Earthy Delights, 2015
2:58 | Narrated by Jeremy Tessmer | Released for Angela Perko, 2013
3:34 | Narrated by Susan Bush | Released for Angela Perko, 2011
3:05 | Narrated by Susan Bush | Released for ANGELA PERKO: New Paintings, 2009
I had never heard of Angela Perko until recently when I saw Wrapped Lemons apres W.J. McCloskey (above); I had heard of William McCloskey, but couldn't remember how although I did remember why. The elusive artist painted strangely captivating wrapped fruits, a genre he may well have invented.
The artist Angela Perko, also turns out to admire the Canadian artists known collectively as the Group of Seven, artists I've mentioned recently. Perko cites the group, especially its lone female member Emily Carr, as influencing her use of color. She arranges colors fearlessly, as comfortable with dissonance as she is with delicacy. Like the Seven, Perko explored painting through landscape; like McCloskey she was born elsewhere but eventually moved to California.
An oversized magnolia blossoms. A deep green forest vista featuring a solitary dress on a clothes hanger beckons. A white heron perches in a boxed foreground against a striking Japanese garden scene. These inviting and mysterious depictions of garden landscapes by Angela Perko, an area artist and co-owner of Santa Barbara’s Lost Horizon Bookstore, invoke a deeply mysterious sense of sensuality and narrative without simple answers.
For her sixth solo exhibition with Sullivan Goss, area artist Angela Perko draws inspiration from the garden, exploring the places where nature and art meet.
In the ranks of regional painters with some gallery-track record, and therefore public awareness, Angela Perko is perched in a creative corner all her own. A vibrant stylist with nods to art history and no fear of color or formal bump and bustle, Ms. Perko has one of the more instantly recognizable styles of any artist calling Santa Barbara home.
AN ANALYSIS OF THE ARTIST'S WORK
Angela Perko has employed the "Seven's" reliance on bright colors with her own ability to reduce a painting's composition to a field of planes, each celebrating a color which at times is dissonant and at times harmonic to neighboring colors. Despite her efforts to flatten her planes of color, the artist manages to create paintings of remarkable depth and energy. Perko eschews the Group of Seven's reliance on the impact of brushstroke. Her work is characterized by a flat color field with little evidence of brushstroke.
I started painting landscapes mostly to be outside. Painting became my personal dialogue with naure. I was never concerned with accurately documenting a place, instead the paintings were attempts to conjure the essential nature of the subject and my own connection to it.
Generally, the picture plane is flattened to emphasize the relationship between objects and to bring the viewer more closely into the scene. Forms are stylized and colors are enhanced or left pure. Compositions are chosen to create rhythm and balance. The struggle is to obtain unity. It should be balanced, but not quite, precise but not perfect. Life should be sense just under the surface. - Angela Perko
2017 Relics of Another Eden, Sullivan Goss, Santa Barbara, CA
2015 Earthly Delight, Sullivan Goss, Santa Barbara, CA
2013 Angela Perko, Sullivan Goss, Santa Barbara, CA
2011 Angela Perko, Sullivan Goss, Santa Barbara, CA
2009 Angela Perko: New Paintings, Sullivan Goss, Santa Barbara, CA
2007 Angela Perko, Sullivan Goss, Santa Barbara, CA
2005 Angela Perko, Sullivan Goss, Santa Barbara, CA
2004 Face to Face: A Selection of American Portraits", Sullivan Goss, Santa Barbara, CA
SELECTED GROUP EXHIBITIONS
2017 Masterworks, Sullivan Goss, Santa Barbara, CA
2016 The Arts of Santa Barbara 1875 - 2016, Sullivan Goss, Santa Barbara, CA
2015 The Declarations of Independents, Sullivan Goss, Santa Barbara, CA
2014 Celebrating 30 Years of Art, Sullivan Goss, Santa Barbara, CA
2012 Figuring Out California, Sullivan Goss, Santa Barbara, CA
2011-2018 100 Grand Show, Sullivan Goss, Santa Barbara, CA